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週次 |
日期 |
單元主題 |
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第1週 |
9/11 |
Performance
Course Overview
Performance by Diana Taylor
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第2週 |
9/18 |
Performance Studies
Performance by Diana Taylor
“Performance Studies: Intervention and Radical Research.” The Drama Review 46.2(2002) by Dwight Conquergood [謝筱玫譯。〈人類表演學：干預與批評性研究〉。《戲劇藝術：上海戲劇學院學報》154期。2010。33-42。]
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第3週 |
9/25 |
Post-Dramatic Theatre
Postdramatic Theater by Hans-Thies Lehmann [李亦男譯。《後戲劇劇場》。北京：北京大學出版社，2016。] 前言；第一章-第三章；第七章；結語
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第4週 |
10/02 |
The Debate (Appropriation or Exchange?)
“A Collision of Cultures” Asian Theatre Journal 1.1 (1984) by Bharucha
[延伸閱讀
“A Reply to Richard Schechner” Asian Theatre Journal 1.2 (1984) by Bharucha
“A Reply to Rustom Bharucha” Asian Theatre Journal 1.2 (1984) by Richard Schechner]
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第5週 |
10/09 |
Brecht and his (mis)understanding of the Chinese Theatre
“Alienation Effects in Chinese Acting” and “The Street Scene” from Brecht on Theatre
“Alienation-Effect for Whom? Brecht’s (Mis)interpretation of the Classical Chinese Theatre, Asian Theatre Journal 14.2 (1997) by Min Tian
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第6週 |
10/16 |
Models of Intercultural Performance
“Toward a Topography of Cross-Cultural Theatre Praxis” The Drama Review 46.3 (2002) by Jacqueline Lo and Helen Gilbert
“Introduction” in Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama by Christopher Balme
[延伸閱讀
“Toward a Theory of Culture and Mise En Scene” by Patrice Pavis]
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第7週 |
10/23 |
Intercultural Performance from the Western point of view I.
“The Theatre is Oriental” by Ariane Mnouchkine, and “Hear, See, Act: Robert Wilson interviewed by Der Spiegel” in The Intercultural Performance Reader
〈演出創作〉，〈歐亞劇場〉，〈歷史書寫〉。《劇場人類學辭典》，Eugenio Barba, Nicola Savarcse著，丁凡譯。臺北市：國立臺北藝術大學、書林，2012。
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第8週 |
10/30 |
Intercultural Performance from the Western point of view II
“Introduction: Towards a Theory of Interculturalism in Theatre?” in The Intercultural Performance Reader by Pavis
“Interculturalism and the Culture of Choice” Richard Schechner interviewed by Patrice Pavis, in The Intercultural Performance Reader
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第9週 |
11/06 |
Midterm
Video Viewing
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第10週 |
11/13 |
“Introduction” in The Politics of Cultural Practice by Rustom Bharucha
Multiculturalism
“Interculturalism and Its Discriminations” in The Politics of Cultural Practice by Rustom Bharucha
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第11週 |
11/20 |
張京媛。〈此與彼—愛德華．薩伊德的《東方主義》〉。《後殖民理論與文化認同》。張京媛編。臺北市：麥田，1995。
“Transculturating Transculturation” in Interculturalism and Performance by Diana Taylor
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第12週 |
11/27 |
林璄南，〈挪借《威尼斯商人》 : 試論《約/束》的改編策略與所引發的問題〉，戲劇學刊，2011.7，頁85-108。
紀蔚然，〈跨文化之正解與誤讀－台灣劇場改編西方正典之實驗意義〉，眾聲喧嘩之後：台灣現代戲劇論集，2008，頁51-72
黃承元，（二十一世紀莎劇演出新貌：論吳興國的《李爾在此》），中外文學，34卷12期，2006.5，頁109-123
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第13週 |
12/04 |
謝筱玫。＜跨文化之後：從《歐蘭朵》到《孟小冬 》＞。《戲劇研究》10 (2012.7): 139-62。
Lei, Daphne P. “Interruption, Intervention, Interculturalism: Robert Wilson’s HIT Productions in Taiwan.” Theatre Journal 63 (2011): 571-586.
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第14週 |
12/11 |
Case Study I
跨國合作：
Robert Wilson 在臺灣的旗艦製作《歐蘭朵》(劇本)、《鄭和1433》
鈴木忠志、特爾左布勒斯
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第15週 |
12/18 |
Case Study II
戲曲改編莎劇：《量度》(劇本)
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第16週 |
12/25 |
Case Study III
戲曲改編莎劇：《艷后與他的小丑》(劇本)
當代傳奇：《慾望城國》、《暴風雨》and more…
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第17週 |
1/01 |
National Holiday
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